Peter's electronic projects
Try it now, before building! Click on the transmitter buttons with the
green
labels
on the left and see how the receiver outputs (K1-K8) change. Change
the number of transmitter or receiver channels. Switch the receiver
output type between latched and momentary.
| part | description |
| C1 |
100nF ceramic capacitor |
| R1 |
10k resistor (1/8W) |
| D1-D4 | 1N4148 diode (optional) |
| S1-S8 |
tact switch, DTSM 61N or similar |
| IC1 | PIC16F630 or PIC16F676 microcontroller, pre-programmed |
| TXMOD |
radio
transmitter module, see text (hardware) |
| B1 |
battery between 2-5.5VDC (check TXMOD specs for valid voltage range) |

| part | description |
| C1 |
100nF ceramic capacitor |
| C2 |
470 uF 6.3V, electrolytic
capacitor |
| R1 |
10k resistor (1/8W) |
| R2 |
10 ohm resistor (1/4W) |
| D1-D4 | 1N4148 diode (optional) |
| D5 |
IR transmitter LED |
| Q1 |
BSS138 or similar N-MOSFET |
| S1-S8 |
tact switch, DTSM 61N or similar |
| IC1 | PIC16F684 microcontroller, pre-programmed |
| B1 |
battery between 2-5.5VDC (CR2032, 3.6V LiIon battery or 3xAA
batteries) |
| please
observe the corresponding address configuration! |
|
transmitter: no diodes connected |
receiver: switches all ON |
transmitter: all diodes connected |
![]() receiver: switches all OFF |
parts list
| part | description |
| C1, C2 | 22pF ceramic capacitor |
| C3, C5 | 100nF ceramic capacitor |
| C6 | 10uF 6.3V electrolytic capacitor |
| CN1-CN8 | PCB terminal block, 3-way (DG301) |
| D1-D8 | 1N4004 diode |
| IC1 | PIC16F627 or PIC16F628 or PIC16F627A or PIC16F628A microcontroller, pre-programmed |
| IC2 | LP2950CZ5.0 voltage regulator |
| LED | 3mm LED (green) |
| LED1-LED8 | 3mm LED (red) |
| Q1-Q8 | BS170 N-channel mosfet transistor |
| R1-R9 | 220R resistor (1/8W) |
| RL1-RL8 | G5LE relay, see text for coil voltage selection |
| S1 | piano DIP switch, 4-way |
| X1 | 4MHz HC49 crystal |
| RXMOD | 3-pin radio receiver module, see text (hardware) |
| please
observe the corresponding address configuration! |
|
transmitter: no diodes connected |
receiver: switches all ON |
transmitter: all diodes connected |
![]() receiver: switches all OFF |
Japanese entertainment is paradoxical. It is minimalist ( Ma – the meaningful pause in Noh theater, mirrored in Evangelion’s 64 seconds of static frames) and maximalist (pachinko parlors’ noise, idol concerts’ glow sticks).
Unlike Hollywood’s global monoculture or K-pop’s centralized, export-first model, Japan’s entertainment industry operates on a fascinating : one deeply insular, catering to domestic tastes; the other globally influential, often by accident rather than design.
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In the realm of adult entertainment, certain names shine brighter than others, captivating audiences with their undeniable charm and talent. Yuu Shinoda, a prominent figure in the JAV (Japanese Adult Video) scene, has been making waves with her stunning performances. One of her notable appearances is in the Caribbeancom video, "Caribbeancom 011814-525," where she delivers an uncensored and unforgettable experience.
: Once niche, these are now cultural cornerstones. Intellectual properties (IP) like Pokémon —the world's most valuable media franchise at an estimated $120 billion—and Hello Kitty dominate global recognition. Japanese entertainment is paradoxical
(2024) achieved the longest viewing time in Disney’s streaming history and earned a record 18 Emmy awards. Anime & Manga
Behind the creative freedom is a notorious labor crisis. Anime studios are celebrated for "passion" but pay poverty wages. The term henai (perverted love) describes the industry’s expectation that animators work 16-hour days for the honor of creation. This reflects a broader Japanese work culture where karōshi (death by overwork) is a recognized legal category. The global hit Jujutsu Kaisen or One Piece is built on the backs of young artists earning less than a convenience store clerk. The industry romanticizes suffering as the price of art, a distinctly samurai value of enduring hardship for mastery. Despite its significant contributions to global culture, the
Anime has become a primary vehicle for Japanese soft power. It introduces global audiences to Japanese food (ramen, onigiri), social norms (bowing, school life), and spiritual concepts (Shintoism and Yokai). The Idol Industry and J-Pop
Recent years have seen Japanese productions dominate international awards and streaming charts: Film & Animation Godzilla Minus One
LATCH_MASK EQU B'00001111' sets channels 8-5 to momentary
and
channels 4-1 to latched (toggle) mode. Then use the compiler (MPLAB or
gputils) to
assemble the code.clrf
0x91 ;
ANSEL