Rachel finds herself unable to trust the people around her, with the sole exception of her roommate, Amanda. Her deepest suspicions are directed at her secretary, Carole. Rachel becomes convinced that Carole is leaking corporate secrets and engaging in illicit contacts with their direct business competitors.
The work is structured as a faux museum tour. The user navigates through a series of dimly lit, low-poly 3D rooms. Each “gallery” contains a single objet étrange —a hybrid creature or object assembled from Victorian medical illustrations, early webcam stills, stock photography, and scanned textures from 1970s educational films.
The protagonist, Rachel, is a high-ranking professional who struggles with deep-seated paranoia. She operates with a strict circle of confidence, choosing only to trust her close roommate, Amanda. Her professional life takes a stressful turn when she becomes convinced that her personal secretary, Carole, is leaking sensitive company information and maintaining illicit contacts with their main corporate competitors.
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The centerpiece, however, was a machine Beaulieu called L’Automate à Regret . It was a crank-operated diorama. For two Euros, visitors could turn a brass wheel. Inside a mahogany box, tiny mechanical figures would reenact a memory—not a universal one, but a specific memory drawn from Beaulieu’s own childhood: a dog hit by a snowplow, a mother crying at a kitchen table, a birthday cake melting in the rain.
The film stars Angela Tiger, Maud Kennedy, and Antoni Saint-Aubin (credited as Jif).
The storyline follows a corporate executive named Rachel. She struggles with trust and only confides in her roommate, Amanda. Rachel finds herself unable to trust the people
Beaulieu, then in his late twenties, had already been experimenting with what he called “musée imaginaire numérique” (digital imaginary museum). Étranges Exhibitions became its flagship.
The movie was developed specifically for television networks that features late-night adult dramas and romantic thrillers. Crew Member(s) Benjamin Beaulieu, Laurent Lévy Screenwriters Céline Guyot, Martin Guyot, Philippe Carcout Music Composer Jacques-Emmanuel Rousselon Release Year Runtime 90 Minutes Genre Romance / Drama / Thriller Key Themes and Analysis 1. The Intersection of Corporate and Private Lives
Beaulieu focused on "total art," where the viewer's movement through the space was as important as the objects themselves. The work is structured as a faux museum tour
– Key figures within the secret social circles encountered by the protagonists. Production and Technical Team
Released in 2002, Étranges exhibitions emerged from the French television ecosystem of the late 1990s and early 2000s. During this period, networks frequently commissioned high-production-value adult dramas and psychological thrillers to fill late-night time slots.
After noticing strange behavior and discovering a coded letter on Carole’s desk, Rachel fears her secretary is engaging in industrial espionage and selling secrets to competitors. Driven by suspicion, Rachel and Amanda decide to follow Carole to a secret meeting, anticipating a dramatic confrontation.
The film is primarily known through IMDb and French cinema databases like AlloCiné . It typical of the stylized erotica produced for French television during the early 2000s. AI responses may include mistakes. Learn more Étranges exhibitions (TV Movie 2002) - IMDb
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