: Think of this as the audio's dynamic range, the difference between the quietest and loudest sounds. Standard CDs use a 16-bit depth, which theoretically provides about 96dB of dynamic range. A 24-bit depth, however, provides a staggering 144dB of dynamic range. This vast increase means that the quietest, most subtle details (like the fade-in of the title track or the ambient noises before "I Get Up, I Get Down") and the loudest, most powerful peaks (like Wakeman's organ or Bruford's drums) are rendered with far greater precision, allowing for a more realistic and immersive listening experience.
The 24-bit depth lowers the digital noise floor. This allows the quietest moments, such as the ambient nature sounds opening the title track, to emerge from total silence with pristine clarity. Superior Transient Response
What is your favorite isolated moment on the 24/192 version? Let us know in the comments below. Yes - Close To The Edge -2013- -FLAC 24-192-
The 2013 FLAC reveals the astonishing separation of the multi-tracked vocal harmonies. When Rick Wakeman’s massive St. Giles-without-Cripplegate church organ kicks in, the 24-bit headroom prevents the low-end frequencies from choking out Chris Squire’s iconic Rickenbacker bass growl. 2. "And You and I" (10:08)
Musically, it features complex arrangements, Jon Anderson's ethereal vocals, Steve Howe's intricate guitar work, Chris Squire's melodic bass, Rick Wakeman's virtuosic keyboards, and Bill Bruford's dynamic drumming. : Think of this as the audio's dynamic
The edition of Close to the Edge is the definitive digital version for audiophiles and Yes fans who want the highest possible fidelity from the original analog tapes. If you have the playback equipment to resolve the extra detail, it offers a stunning, immersive listening experience — especially on the title track’s layered instrumental sections and "And You and I"’s acoustic guitar and vocal harmonies. For casual listeners, the standard CD or 16-bit FLAC may suffice, but for archiving or critical listening, this 24/192 release is top-tier.
As an ethical note: always purchase high-resolution music. This specific version is available from: This vast increase means that the quietest, most
When dealing with a file labeled , you are looking at the pinnacle of consumer audio specifications. Here is what those numbers mean for your ears:
For the progressive rock obsessive and the audio purist, is not just a file format. It is the definitive digital artifact of an undefinable album. It is the sound of a band reaching for the edge, and finally, in high resolution, bringing you with them.
This track is a masterclass in progressive funk-rock syncopation. The high-resolution audio emphasizes the quick decay of Bruford's snare drum and the bright, metallic ring of his cymbals.
While the remix is the main attraction, the 2013 release also provided a high-resolution version of the original mix. Even without the remixing, the remastering process allowed for a better listening experience than the older 1987 CDs, revealing "deep, resonant textures" and improving the overall brightness, as noted in the YouTube review of the Deluxe Edition . Final Verdict: Is the 2013 24-192 Worth It?